Customer Review: History of the Fender GuitarThis is not really an instructinal DVD it is more of a history lesson about the Fender Stratocaster Guitar and its rise from the early 50's to today. Tom Kolb explains such mundane things as the Bridge section of the guitar and control knobs, tremelo,pickup's...ect.But the highlite is when he plays in different styles such as Jeff beck, Eric Clapton,Ritche Blackmore,and other great Strat players.Fun to watch if you are a huge Strat fan like me... but may bore others who were hopping to glean some riff's off of this DVD. After watching this dvd you do realize just how important the Strat has been to Rock and music in general.Its the only true example i can think of where they got something right the first time! the body and structure of the Srtat has not changed in 60 years....thats beacause it was perfect to begin with.
Customer Review: Don't waste your cash
I've played keyboard for over 25 years. I've now decided to start playing guitar and purchased this video. No doubt that Tom Kolb knows how to play a guitar. If I didn't have any previous musical knowledge I would have been completely lost watching this DVD. What it shows to you is a bunch of information about various styles of various guitar players. That's what it is suppose to do right? Well what is shown to you is a guy playing his guitar really fast and talks about nothing on how to apply techniques and use them. Then you are referred to look at a cheezy photocopied handbook that is suppose to explain everything. Wrong! Every "technique" that is shown... if you can pick it out during his fast playing... would already be known by an experienced player. Beginner.... forget it, you won't see anything that will help you. I could go on for hours on how useless this video is. But I'll keep it short. Spend your money on something else.
David Gilmour, like his Pink Floyd predecessor Syd Barrett, played a Telecaster initially, but he soon became one of the first British rock guitar legends to favor the Fender Stratocaster and to create a signature sound with the instrument. His parents bought the Tele for Davids 21st birthday, and he played it for a year (including on the Saucerful of Secrets record) until it was lost by an airline.
Upon officially joining Pink Floyd, Gilmour purchased a custom Stratocaster (the first of many) at a Cambridge music store. During the early Pink Floyd years, Gilmour played a Strat almost exclusively, taking full advantage of its wide tonal palette and vibrato bar in his style. He used a Lewis 24-fret electric guitar on rare occasions for its extended range, as in the solo of Money, and continued to employ a Tele sporadically in the repertory. Gilmour strung his electric guitars with Gibson Sonomatic strings made of a customized light-top (using the standard E and B for the B and G) and heavy-bottom set gauged .010, .012, .016, .028, .038, and .050. He used a Herco heavy-gauge pick.
David Gilmours earliest amp setup with Pink Floyd consisted of a Selmer 50-watt head with a 412 speaker cabinet. By 1970, he found his signature sound with a stack made of Hiwatt 100-watt heads with WEM 412 cabinets. The Hiwatt/WEM combination can be heard conspicuously on Meddle and Dark Side of the Moon. In the studio, he sometimes added a Fender Twin Reverb combo amp with two 12-inch speakers to his lineup for certain parts, as on Dark Side of the Moon.
David Gilmours early Floyd effects consisted of a Binson Echorec tape delay (like Barrett, he used this device from his first days with the band), a Dallas-Arbiter Fuzzface fuzz box, Uni-Vibe pedal, Vox wah-wah pedal, a DeArmond volume pedal, and Leslie and Yamaha RA-200 rotating speaker cabinets. The latter were routed through the output sections of Hiwatt heads and then to WEM 412 cabinets. In 1972, his effects boxes were mounted in a custom cabinet, and his array of processors grew to include a second Binson Echorec and a second Fuzzface, an MXR Phase 90, a Crybaby wah-wah, an Electro-Harmonix Electric Mistress flanger, Big Muff fuzz, an Orange treble and bass booster, and a custom-built tone pedal.
Additionally, Gilmour used studio effects like ADT (Automatic Double Tracking, a favorite studio processor first developed at Abbey Road Studios for the Beatles), Kepex for tremolo, various tape effects, studio echo chambers, and backwards guitar. He also employed an EMS Synthi Hi-Fi guitar synthesizer (heard on Time on Dark Side of the Moon), and usually played a lap steel or Fender twin neck pedal steel guitar for slide parts. He used various acoustic guitars on early Floyd tracks, later settling on Martin D-18 and D-35 models in the 1970s, and, depending on the song, alternated between fingerpicking and playing with a plectrum.
Andy Ng is a self taught guitar enthusiast. He have played guitar for the last 5 yrs and still going strong! He is also a leading expert on the art of building homemade effect pedals. Pick up tips, techniques and just plain guitar talk at his blog! http://www.guitareffectssecrets.andy-ng.com
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